Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market. 

Ether

Chromie Squiggle #3826

Chromie Squiggle by Snowfro

Archetype explores the use of repetition as a counterweight to unruly, random structures. As each single component look chaotic alone, the repetition brings along a sense of intentionality, ultimately resulting in a complex, yet satisfying expression.

Archetype #298

Archetype by Kjetil Golid

Memories of Qilin is inspired by traditional East Asian art. It channels the sense of movement and fluidity found in classical Chinese brushwork, while drawing from the colors, patterns, and forms of ukiyo-e woodblock prints. 

The series explores elements of folklore, evoking the mythological imagery of dragons, phoenixes, flowers, and mountains.  The title references a fabled chimerical beast found throughout East Asian mythology (while the qilin is its Chinese name, it is also known in Korea as the girin and Japan as the kirin) that represents prosperity and luck.

Viewers are invited to interpret elusive forms that verge on representation. As with the stories passed on through generations, each piece is imagined, organic, and ever-in-flux.

Memories of Qilin #77

Memories of Qilin by Emily Xie

Anticyclones are a weather phenomena.
They pierce through darkness to instill peace and calm. Their planetary scale reminds us of how little we are and how powerful they can be.

High pressure, rotation, air flow… The "Anticyclone" series is an artistic exploration and interpretation of those concepts.

The rendering borrows its aesthetics from traditional and organic media like paper and crayons, to lend an analog/archival look.

"Can a computer draw like a human?"
The question is asked and challenged once more through "Anticyclone".

[Press the left/right keys to explore the different steps building the final image. Bottom/top for the first/last step. Can be intense for your machine]

Anticyclone #396

Anticyclone by William Mapan

Portal #2

Portal by Jeff Davis

Stratified landforms constructed from many small strokes of colour. The hash of each token describes a coordinate within a multidimensional generative space, locating a unique composition that lies along one of many possible longitudes.

Meridian #233

Meridian by Matt DesLauriers

Each Construction Token is unique and contains a randomized seed that determines the composition of the artwork. This includes the number, orientation, and placement of rectangles, as well as the color selections. Most tokens are monochromatic, with occasional light or dark variants. In some cases, the script will produce a token using complementary colors.

Construction Token #486

Construction Token by Jeff Davis

The Caretaker awakes. After a millennia of slumber it must again usher its minions into the expanse. It must sustain. It must replenish. So it guides its horde out to the stars, visiting countless worlds to restart the cycle. For an eternity the cycle has repeated, minding and tending this garden of worlds. Now it is time for the garden to give back. This event has come to be known as *The Harvest*.

*The Harvest* depicts worlds that exist in eternal symbiosis with the Caretaker. We witness the spectacle of monumental chromatic beams as they impact the surface of these beautiful, alien bodies. The Caretaker assigns different constellations to each planet, giving rise to unique combinations of beams as they extract the much needed nectar. This project has been inspired by a life-long fascination for science fiction and space exploration. Aiming to capture a moment of awe, the beams reach to their origin, emulating a cathedral-like atmosphere in the vein of Hugh Ferriss, while borrowing inspiration from Micheal Whelan’s landscapes. All in the effort of capturing a sense of how small we are in relation to the cosmos.

*The Harvest* is built on p5js, and takes advantage of its 3d api. With the orthogonal view enabled, the algorithm uses volumetric rectangular units to create the stylised illusion of alien landscapes. Each beam has a position, color, reach and yield that is calculated and procedurally drawn over time.

The Harvest #367

The Harvest by Per Kristian Stoveland

Chimera is a mutation, its genetics a merging of past and present. 

New creative mediums almost always ingest those that came before. Pictograms and hieroglyphics turned into paintings, which eventually became moving images and photoreal graphics. Spoken words evolved into written text, eventually becoming complex screenplays, computer code, and a world of hyperlinks. Most mediums are not discarded, but combined or extended to incorporate new technology or ideas. 

When a new medium comes into existence, the capabilities of both the artist and viewer increase. The potential subjects within said medium can grow in complexity as well, some fully dependent on the medium that holds them. Other subjects are timeless, popping in and out of multiple movements and genres throughout history. An example of the latter is still life. From ancient carvings through contemporary art, scenes of commonality, beauty, and metaphor have persisted. Traditionally viewed as a type of technical practice or meditation (the bottom of the “hierarchy of genres”), some examples of still life have gone on to be among the most important works in art history. 

Chimera is a natural progression of still life. It is an old tradition in the very new medium of on-chain generative art, a movement that will have an enormous presence in the future. Chimera simultaneously reaches into the past while exploiting the capabilities of the present and seeks to represent a unique moment in time, a generation of art in between digital and physical realities, encapsulating where we came from and where we are going. 

NOTES:

Chimera is graphically intensive. Modern hardware is recommended. Ensure that your browser has hardware acceleration enabled.

The charitable portion of this release will be donated to various cancer research efforts.

CONTROLS:

“A”: Toggle animations
“R”: Toggle autorotation
“C”: Capture screenshot
“H”: Capture HD screenshot (CPU intensive) 

—

Thank you to all that participate in, share, or otherwise support this release. It means more to me than I can say.

Chimera #167

Chimera by mpkoz

“Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project I also intend to research the following question: How to create parameters that resemble a living organism's growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.

Fragments of an Infinite Field #895

Fragments of an Infinite Field by Monica Rizzolli

CENTURY is my homage to paintings and drawings from the twentieth century and the countless hours I’ve spent looking at them. The references span the origins of concrete and non-objective art to color-field painting and minimalism. The strongest direct reference is a series of pictures created by Ellsworth Kelly in the 1950s where he cut his paintings into pieces and reassembled them in different orders. CENTURY creates a distinct picture for each unique transaction hash, and you can “cut” and “reassemble” it in different ways by pressing ‘1’ on your keyboard. Press ‘2’ to put the slices in the original order. These are landscapes; they look best large and in motion running as live code.

CENTURY #722

CENTURY by Casey REAS

A real-time live interactive piece that also acts as a clock. 720 unique ways to show the current time, one per minute over twelve hours. Each clock will activate on its given minute, giving you a special moment every twelve hours to consider what one minute means to you.

720 Minutes #206

720 Minutes by Alexis André

"Edifice" is a series of 976 massive, deteriorating structures built on strange terrain. It is an exploration of buildings being conceptualized, constructed, and eroded away under a wide variety of conditions. Edifice's outputs run the gamut between minimal and maximal, with some showing few large, static blocks of color, and others many small, highly textured and warped shapes. Each image is progressively constructed in front of the viewer's eyes. It is a system full of surprises that I'm excited to share with the world.

Edifice #62

Edifice by Ben Kovach

An exploration in generating forms in 3-dimensional space. This exclusive set of sculptures has been carved from a sea of infinite possibilities, much like a sculptor creates a singular reality from the potential in a block of stone. The shapes are illuminated by a variety of complex virtual lighting environments and yet the piece retains algorithmic minimalism with the code reduced to its pure essence -- 6370 bytes. Skulptuurs render in real time. In live view, the image keeps improving in quality. Keys 0-7 change speed: 0=Stop, 5=Default, 7=Fastest. Careful, requires a powerful machine. Requires a WebGL2-enabled browser.

Skulptuur #709

Skulptuur by Piter Pasma

The starting gun goes💥, and its happening. Packs of racers, proudly sporting their team colors, are competing in the race of their lives. Some are going for it. Others can't really be bothered. But you know this is where the action is at. Absolute drama around every corner. Who will be victorious, and who will stumble. Take a better look at the group by touch/click dragging the scene.

Geometry Runners #793

Geometry Runners by Rich Lord

AlgoRhythms is a collection of generative audio-visual data sculptures. Each unique hash drives the combination of colors, patterns and musical scales into a music box.

AlgoRhythms #759

AlgoRhythms by Han x Nicolas Daniel

_Somewhere in a galaxy far away, a multidimensional being is looking at this clock and thinking about the impermanence of existence and the infinity of the universe. This art is endless and deterministic._ 

**Use full screen for total immersion.**

Controls: 

- Click/tap or use keys 1 to 9 to switch speed. 
- s = toggle starts. 
- t = toggle hyperspace. 
- Space = pause.

Alien Clock #179

Alien Clock by Shvembldr

INTRODUCTION

Voyager 1 and 2 have been launched in 1977. They are the farthest man crafted objects from Earth. It will take tens to hundreds thousands years for them to reach other stars and planetary systems despite a velocity of 17km/s... 
The on-board camera, mysteriously, sends back images of the remote planets and their moons...

Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas (Do not go gentle into that good night)

ARTWORK DESCRIPTION

The artwork represents a planet and its moons. There is an important variety of planet/moons types, different perspectives (far or near the planet and moons), different space environments (stars, Milky Way, star clusters,  comet, eclipse, Einstein cross and ring, Magellanic Clouds...). A very rare Gravitational Wave affecting space properties can occur. Usually Monochromatic, there is a variation with the addition of one color. In "live view" use the interactions possibilities to explore a given planetary system...

TECHNICAL DETAILS

In the same way photons hit the CCD camera, tiny squares hit the canvas.
The algorithm is minimalist : pick a random position in the canvas and decide if a monochromatic tiny square has to be drawn or not (rarely, squares can be drawn in 2 colors). The light parts are drawn only through the absence of drawing. The whole complexity resides in the decision to draw or not to draw. Mathematical functions are underneath each decision, like space and time are underneath all of our world. 


INTERACTIONS

You can interact with keyboard commands or through URL parameters.
- press S : to save the current image in png
- press 2, 3... 9 (URL, add DP=2) : change resolution. Increase the value step by step. Can be very long to draw, but it's worth it for printing. Very High Resolution can be achieved. File is saved automatically when finished.
- press L (URL, add liveMode=true) : to discover different views of your planetary system (images will be drawn one after the other, with the same parameters for the main planet and the space environment).
- press F (URL, add fitToScreen=true) : to adapt the artwork to any screen size (artwork is changed but parameters remain the same)
- press M (URL, add monoChromatic=true) : to force the artwork to be monochromatic
- press G (URL, add GW=false) : to remove the gravitational wave effect
- press P :  pause/unpause
- URL, add offset=<Number>, to offset the image production (same planet parameters and space environment)
- URL, add grainy=true, to change the size of the grain (useful for displays to speed up the creation process)

URL Parameters are added to the end of a URL after a ‘?’ symbol, and multiple parameters can be included when separated by the ‘&’ symbol.
You can combine "?liveMode=true&fitToScreen=true&grainy=true" in the URL for display purpose (TV, Art show...). 
Combining liveMode and DP for resolution allows you to save all the images produced.


EXTERNAL LICENSE

Voyager is built with p5js and a simplex noise library under MIT license: simplex-noise.js.


DISRUPTED STAR

I am a french astrophysicist (PhD) working in high energy astrophysics.
My artist name is related to an astrophysical event in which a star, a pretty common object in the Universe,  comes too close to a Super Massive Black Hole (SMBH), is torn apart and finally tidally disrupted...
The Generative Art plays the role of the SMBH that has changed my life in many ways in the past years...

Voyager #211

Voyager by DisruptedStar

CryptoNewYorkers are a limited release algorithmically generated pixel art collection based on real characters from New York City. Available only to visitors of the Bright Moments physical NFT gallery, CryptoNewYorkers grant holders exclusive access to IRL events and experiences across the world. Holders of CryptoNewYorkers are granted CryptoCitizenship.

CryptoNewYorker #53

CryptoNewYorker by Qian Qian

**Cargo** is a series of abstract paintings created with animated pixels that are constantly moving without ever repeating. It is painting new patterns on the fly in between macro and micro compositions with a duality of different rhythms and continuous synchronicity. The focus is alternately drawn to detail, then distracted by movement elsewhere and caught up in the overall picture. This rhythm turns the visual complexity into an active experience.

ASDF: “My work should offer individual ways of interpretation, or even allow one to find some self in it. It wants to inspire some thoughts about dynamics and systemics and also just mesmerize the audience, capture them in a little fantasy, or just for a brief moment in a state of satisfaction.”

Cargo is the latest work in Kim Asendorf’s ongoing work series of pixel pattern animations. Starting with [monogrid](https://monogrid.xyz) in 2021, and [Sabotage](https://sabotage.kim) in 2022, both highly conceptual series, therefore visually very raw and unimaginable. Asendorf discovered various interesting details in these works, which eventually became fundamental in his artistic expression.

Cargo is a real time WebGL software written in JavaScript and GLSL. At its core is a flip-flop render buffer, also known as feedback buffer. That means the animation is alternately rendered in two different frame buffers. This technique allows the usage of the previous frame of the animation as an asset in the current rendering, which allows for a series of reactive animation strategies.

An initial image with variable structures and patterns is rendered and subsequently loaded into the frame buffer. A fragment shader is used to apply a set of animation algorithms that make the pixel move and a set of reset algorithms that constantly try to recreate the initial image. The final animation happens in selected containers and is always a combination of two algorithms, one from each set. By regularly animating and partially resetting the pixels, a wide range of movement patterns appear.

Cargo is a responsive and pixel exact artwork and it will fill the screen on any display size, thus changing the total amount of used pixels accordingly. This results in the fact that the detail level in the artwork is changing depending on the dimensions. The overall structure is consistently stretching the x and y axis independently. Single containers scale along the dimensions and offer more pixels to render the patterns at a larger representation compared to a smaller representation. This behavior leads to a brilliance, perfect pixels, a crisp rendering with nothing like compression artifacts.

This software includes the [simplex noise](https://github.com/jwagner/simplex-noise.js) JavaScript implementation by Jonas Wagner and the [cellular noise](https://github.com/stegu/webgl-noise) GLSL code by Stefan Gustavson.

Collection	Volume	Floor Price	Supply
1 Chromie Squiggle by Snowfro	61.08 +25.11%	9 +8.56%	9,764
2 Archetype by Kjetil Golid	9	9.5 +5.56%	600
3 Memories of Qilin by Emily Xie	8.75	4.6 +22.41%	1,024
4 Anticyclone by William Mapan	8.5	5.99 -29.53%	800
5 Portal by Jeff Davis	6.9	336	10
6 Meridian by Matt DesLauriers	6.25 -16.67%	7.5 +20%	1,000
7 Construction Token by Jeff Davis	3.15 -21.19%	4 +26.98%	500
8 The Harvest by Per Kristian Stoveland	2.55	3.09 +21.22%	400
9 Chimera by mpkoz	1.98 +45.26%	1.2 +21.57%	987
10 Fragments of an Infinite Field by Monica Rizzolli	1.40 -7.8%	1.78 +26.96%	1,024
11 CENTURY by Casey REAS	1.15	1.12 -2.3%	1,000
12 720 Minutes by Alexis André	1	1.45 +45.95%	720
13 Edifice by Ben Kovach	1	1.29 +29%	976
14 Skulptuur by Piter Pasma	0.93	0.69 +63.61%	1,000
15 Geometry Runners by Rich Lord	0.79 +99.01%	0.56 +75.21%	1,000
16 AlgoRhythms by Han x Nicolas Daniel	0.71	0.25 +16.48%	1,000
17 Alien Clock by Shvembldr	0.65	1.89	362
18 Voyager by DisruptedStar	0.65 +44.78%	0.14 +27.22%	300
19 CryptoNewYorker by Qian Qian	0.59 -50.83%	1.07 +81.36%	1,000
20 Cargo by Kim Asendorf	0.56	0.9 +60.71%	1,000